Friday January 20th, 2017 marks the Inaguration of the 45th President of the United States. It is clear from the divisive, childish, rude campaign he ran, and the den of thieves he has appointed to his cabinet that he is coming in with very clear plans to undo many positive things that have taken place in this country over the last 50 years. For me personally, this is one of the most dramatic political events of my life, following the election of Barack Obama, and the drama over George W Bush’s election in 2000. But this new Administration poses a greater threat to what I hold dear in both style and content than that of GWB. Times like this demand that I go back into what brought me here to understand whats going on and how to go forward, and that is the social and political information distilled in some of my favorite music! So I’d like to take this opportunity to share some music with you today that will be uplifting, informative, insightful, and useful on the first day of the Trump “Error.”
“Party for Your Right to Fight” by Public Enemy
Public Enemy is one of my favorite musical groups and their music and the lyrics of Chuck D have been a guiding force for most of my life. “Party for Your Right to Fight” is a lesser played track from their classic second album, “It takes a Nation of Millions to Hold Us Back.” The title inverts The Beastie Boys classic rebel without a cause anthem, “Fight For Your Right to Party” into a rousing call to arms, with the “Party” in the title being synonymous to political action, especially that of the Black Panther Party. In a unique production move for P.E, Chuck and Flavor rap the whole song together, with one voice slightly delayed behind the other, in a break from their usual style of Chuck raps and Flavor interjections. The song itself minces no words, attacking the U.S Government’s COINTELPRO operations during the 1960s. It also features a great sample from prime period George Clinton, saying, “Aint nothing but a party ya’ll, lets get it on!”
James Brown Economic Plans
The Godfather of Soul James Brown always used his musical voice and powerful standing in the Black International community as a platform to speak on various issues of wide concern. Although he was reputed to be a conservative, the economic philosophy he espouses on these songs is far from the “Trickle down greed and pain” that has been Republican economic philosophy since Ronald Reagens time. “Take Some, Leave Some” for example espouses a communal, humanistic economic philosophy over a brutally crawling funk groove. JB says, “Ive never been the type of cat that has to have it all.” “You Cant Take It With You” from 1976’s “Get Up Offa That Thang” LP is a companion piece, a furiously funky B-Boy/Locking groove where JB disavows money as the full measure of a persons life because at the end of the day, theres no such thing as a rich dead person! The classic breakbeat “Funky President” is a commentary on the Presidency of Gerald Ford and the tough economic times the country was facing in the mid ’70s. Here JB unveils an economic plan of self sufficiency for Black America, inspired by Marcus Garvey, Booker T Washington, and the Honorable Elijah Muhammed, “Lets get together/get some land/raise our food like the man/save our money/like the mob/put up a factory OWN the job.” “The Whole World Needs Liberation” from the “Get on the Good Foot” LP is a track built off the earlier Bootsy Collins fired “Brother Rapp” that focuses on a topic of Third World liberation, which on the economic side is still one unfolding today. JB states strongly, “It’s neither Black or White/it’s what’s right/its neither White or Black/It’s a fact/the whole world needs Liberation.”
“We the People” by The Staple Singers
The Staple Singers used the guitar playing of “Pops”, and the wonderful voices of Mavis, Cleotha and Yvonne to provide a soulful companion in sound to the Civil Rights movement. When the tide turned to Black power, pride and identity, The Staples actually hit their peak from a popular standpoint, as their rootsy, gutsy sound was very much in league with the heart of the Black community at that time. “We The People” is a funky national anthem for the community at that time, and it’s message is very pertinent in the age of Trump. Although we have a very despicable man taking office today, it is “We the People” who “have to make the world go round.” Meaning this can not only be Donald Trumps America, the people must remain engaged and vigorous in checking his hand!
“B Movie” by Gil Scott Heron
This song is still hands down the best summation of the types of forces in American life that got us to the point a Donald J Trump could get elected, for my money. It’s that because of the cutting, insightful brilliance and experiences of Gil Scott Heron, and its also that because it was inspired by the election of a somewhat similar figure, Ronald Reagen, 36 years ago. In this epically funky poem and song Heron traces America’s enthusiasm for Ronald Reagen to the celluloid images of white masculinity and manifest destiny sold to the American public by actors such as John Wayne. Ronald Reagen himself became the stand in for John Wayne because Wayne was “no longer avaliable for the part.” Replace the Saturday matinee with television reality shows and you get an analysis of how the American forms of media speak to the dark side of American ideals and produce figures like both President Reagen and Trump. And it also makes you wonder if Americans could ever resist a half credible celebrity being sold as a political savior?
“International Thief Thief” by Fela Kuti
Fela Kuti is the artist I think of the most during the Trump error. When George W Bush won the election in 2000, a local Nigerian commentator in the Bay Area, Tunde Okorodudu, laughingly commented on a local Black news show, “So you people want to make America a BUSH huh?” Meaning in the African sense, backward, less developed and potentially chaotic. Some of the things a vote for Trump represents, ethnic strife, less world engagement, less immigration, less civil and political freedom, are exactly the type of strongman politics many people in the world have been running away from. And here we have a winning plurality in America running TOWARDS them. The voice of Fela Kuti wailing out against his own government in Nigeria and the way it had been ill set up and miseducated by the colonial powers in Britain loom large in this environment. And we must remember that the Nigeria Fela was railing against was a nation swimming in oil cash, doled out very selectively among an elite and split along ethnic lines of tribe. Fela was a tireless critic of every segment of the Nigerian society that needed change, and he always tied it back to their history of colonialism and getting away from African values. This song attacks the “International Telephone and Trust Company” which with African humor, Fela calls “International Thief Thief”. “Thief Thief” is what African people yell in neighborhood settings as a call for the community to apprehend a fleeing criminal and bring them to community justice. In this way, Fela brings the high and mighty governmental and business leaders down to an understandable level of common thieves operating on a mass scale. This is the way Trump’s cabinet seems to be shaping up, a consortium of rich buisness leaders being put into positions they can profit from.
“This is My Country” by The Impressions
Curtis Mayfield and The Impressions song end this playlist on a positive note. Curtis actually caught some flack from this song from some in the Black militant community at the time it was released. They thought it was jingoism, but in reality Curtis song is a strong, soulful declaration that he and other Black people would not cede this nation to the Bull Conners, Governor Faubeses, George Wallaces and Storm Thurmonds of the country. The reason? “We struggled 300 years or more!” This song then is a soulful rallying cry for Black people, women, immigrants, disabled people, LGBT, poor people, middle class workers, Native Americans, Muslims, and any other group that faces hatred in the Trump years. This country does not belong solely to people like Donald Trump and his “mad as hell” voters but to everybody who lives here and contributes!
This list could go on and on but I will stop here for now. I hope I’ve give you some thoughtful grooves on this Inaguration Day. Sociopolitcal music will be a strong presence on this blog in the next four years, both through classics such as these as well as highlighting newer grooves to come that will take on the ironies of the Trump error. It will be wild ride for sure, but one thing I do know is that Donald Trump is NOT God (or Godly), meaning even he will have to bow before a committed majority of freedom loving Americans.