One of the defining features of the R&B sound during the 1980s is the absorption of the musical innovations of Prince. The year 1987 was no different. “Tina Cherry” by Georgio is a fine example of the type of Funk that was inspired by Prince and The Minneapolis sound. Georgio Allentini is a Bay Area native, to the extent that one of my best friends went to High School with him. The word is that Prince pursued him for Paisley Park, which is a rumor many Prince fans vehemently deny but those close to the situation confirm. He ended up signing to Motown and seeing success on the dance charts with his album “Sex Appeal.” The influence of Prince is reflected in “Tina Cherry” through the synthesized dance groove topped off with an incredibly funky, furious guitar lick. It’s also reflected in the title characters name, “Tina Cherry.” So much so that when I was a kid and used to hear this on local Bay Area radio, I thought it was Prince! At that time I did not know “Funk” was a musical genre of its own, but I did know the word “Funky” and I knew what was “Funky” when I heard it! And this song definitely passed the funk test and has remained in my memory banks from that time till now.
Coming out as it did during the heyday of the 12″ club mix, there are many versions of “Tina Cherry.” But the one I selected here is the one I first heard on the radio all those years back and the one I feel brings the funk the hardest. The song begins with a big drum beat that has lots of air around it. On top of this they give us a phat ’80s horn stab, which revs up like an organ before slapping the groove. Also prominent is a cowbell methodically marking out all four beats of the groove. Georgio tells the doorman or his handlers to send her up to his room on the intro. When the whole beat comes in, its marked by a busy synth bass line, and those guitars, a high up the neck, hammer on and off funky blues guitar lead supported by a chocked chicken scratch that brings the funk to your face.
Georgio uses that funky base to tell a story about a girl whose name is Tina that “plays a cherry game.” He sings about how she “Works and works”, her hair, eyes, clothes, everything she has in the name of sex appeal. The guitar takes over on the chorus to the point that it sounds like Georgio is singing in support of the funky guitar. Georgio goes on to tell us that Tina is a Creole woman, which of course, in Black American folklore makes her a very dangerous woman in as many ways as you could imagine! Over the dance groove he goes on to spit double entendre like, “Tina baby/Dont make it hard/we’re almost there/let me park my car.”
This jam has fond memories for me because of the mesmerizing guitar groove. I can also recall a commercial for Georgio doing an in-store appearance at a now defunct local record shop, the Black owned “T’s Wauzi Records.” As it is “Tina Cherry” is a great jam from a lesser-known artist that exemplifies state of the art funky dance music in 1987, made under the influence of Prince and the Minneapolis Sound. In a decade of the ’80s that had few funk bands that were strong and was touched by the influence of emerging musical technologies and new genre’s, it was no small thing to bring the funk, and Georgio did it very well on this song and his album “Sex Appeal.” Definitley one to check out from ’87 if you’re unfamiliar with it!!!!
Here is the video for “Tina Cherry” which featured the song with a different mix, the guitar part is still there but the overall groove doesn’t work for me as much as the one I heard on the radio back in the day