2015 has been an eventful year both on this blog and in my life as a whole. The year was my first full one after having left Oakland and moving to a neighboring East Bay city, and I was extremely busy at work. My primary blogging outlet was on my friend Andre Grindle’s blog, Andresmusictalk, where I developed the “Anatomy of the Groove” column and encouraged several other developments on that blog. “Anatomy of The Groove” enabled me to do something that is one of my passions, write about and promote new good music, specifically in the real, of funky music. The other exciting development in my writing career was I began writing for a new online and print magazine, “Kwee, The Liberian Literary Journal.” My involvement with the Journal stemmed from blog postings that my readers here at riquespeaks enjoyed the most, several of my posts that dealt with pre war history in the country of Liberia, West Africa. These posts on Duke Ellington, Nina Simone, and Hugh Masekela were a heartfelt contribution from me to Liberian history, information my musical digging lead me to that I knew others would appreciate as well. The response my readers gave to them, sharing and reporting them lead to this exciting oppurtunity, writing for a magazine that aims to create and strengthen a literary culture for Liberians. I enjoy writing for “Kwee” because it’s a very creative assignment, and it involves my favorite part of writing, the resarch it takes to get the facts straight. The creativity comes from unearthing little known stories about Liberia and crafting them in a way so as to broaden the narrative, history and story of Liberia. It can be a very challenging task, but as such it’s also the most rewarding. It allows me to go beyond e typical bloggers obsession with stuff I like into something that is important to a larger sphere of people. As such, in three short years of blogging, my Liberia posts and articles at Kwee represent, my whole reason for doing this.
Being the loyal Scorpio I am though, I always dance with who brought me. riquespeaks Is still of the utmost importance to me because of the immediacy and freedom it offers me as a writer. I also dig the time bomb nature of blogs, how something I wrote two years ago can blow up out of nowhere, and totally beyond my control. I anticipate 2016 to be my busiest writing year yet. My activities at “Kwee” will continue, as I strive to refine my articles and continue telling the story of Liberia in the larger world. 2016 is an election year, and I plan to do more of my own brand of political commentary, focusing not so much on policies and numbers, but on the thoughts behind political events and what they say about us as a nation. You can also of course look forward to plenty of reviews of the music, books, and movies that I feel set new templates for Black/African creative expression in 2016, as well as retrospectives on some of my old favorites. I will continue the column I introduced this year “Music for the Next ONE”, which deals with contemporary, non ’70s funk music. Some artists who will be featured soon are XL Middleton, Anderson Paak, and I will also continue to deal with under the radar funk from the 1980s, ’90s and ’00s, maybe with more passion than before. My appreciation for funky songs in the past 25 years or so continues to grow as I realize how much funk we had in a time the Funk was downplayed as a genre. To that I will be adding a new column that will deal with those funk classics of the ’60s, ’70s and early ’80s. Though I know records like “Brick House” and “Shining Star” were much enjoyed in their times, I think there is still more to be said about the big time funk. I’d like to collect some of these funk stories out there in one place, give my own impressions of the music, talk a little bit about the structure of these songs and their appeal musically, and discuss what their impact has been over the 50, 40, or 35 years they’ve been around. Including how they’ve been sampled, covered, or used in television and film. I also have many other things coming up, but I’ll let them develop before I speak on them. But here are a few things you will be able to read for sure on the blog this year:
“Ben Carson and Islam”: Republican Presidential candidate Ben Carson made some remarks a few months ago about the possibility of a Muslim President that provided a teachable moment I felt America let drift off it’s radar screen. It’s far easier to show outrage, for or against, than to have a sensible discussion in America today. While I feel what Ben Carson said was unwise, I do feel it was based on a point of view about America that is legitimate. The only problem is when Dr. Carson points the finger at Muslims, he has three pointing back at American religious fundamentalists of all stripes. America missed a chance given to us by Dr. Carson’s comments to discuss religion, Democracy, and whether or not any religious fundamentalist, Christian or Muslim, can serve this nation and retain the individual liberty and freedom of choice that is supposed to be a part of this nations soul. I will kick start that conversation here.
“20 years of Funk”: Rickey Vincent’s seminal book, “Funk: The Music, People, and Rhythm of the One” will turn 20 years old in 2016. This book is the reason I blog and write about Funk. I cannot underestimate it’s importance for me. Now, Funk was always my favorite music. It took me a long time to appreciate ballads, and the synth pop dance records of my youth could only satisfy me up to a certain point. I always loved Hip Hop, but musically it has it’s limits as well. But until Rickey Vincent did his book, I had no proper language to put James Brown, P Funk, Stevie Wonder, Herbie Hancock, Public Enemy, Grover Washington Jr, and Michael Jackson in the same stream of music. The industry would call one Soul, the other R&B, the other Hip Hop, some Jazz, all to the detriment of the understanding of “funk.” I knew the groove but I didn’t know it represented such a thorough cultural system, really the cultural breakthrough and attitude of the decade of the 1970s. My understanding has grown from there into finding funk “in all aisles of the record store”. Now some of my favorite funk songs come from artists who cut in many different genres. I thank Rickey for this understanding he blessed me with and I will celebrate it this coming year.
“Dad and two Jazz Visions of Liberia”: I did an article in “Kwee” about two jazz records dedicated to Liberia, by the tenor saxophonists Curtis Amy, and the great John Coltrane. Since the article in “Kwee” was for the public at large, I didn’t get as personal on how those two records remind me of Dad and his time in Liberia in particular and why they are so special personally. In 2016 I will write about that here.
Review of “Midnight”: I’ve always felt, since I first read “The Coldest Winter Ever” that Sister Souljah’s book cycle was a major work. On my last birthday, 11-11-15, Souljah released the novel that saw her beloved hero character, Midnight, end up in jail. I hesitate to review the Midnight books because I enjoy reading them so much. In this review I will explore why I feel Souljah’s wide international sweep, ethical vision for African people’s, and unique viewpoints on Manhood outweigh her preachiness and often times prosaic and stilted language. Souljah’s “Midnight” represents her critique of America, as well as her solutions for Black people in America. I never cease to be amazed by the thoroughness of her vision and critique and the almost scriptural life system she lays out in her “Midnight” books. It’s almost like the comprehensive cultural critique of her old group Public Enemy put into book form.
“Pharrell and the Art of Interpolation”: the “Blurred Lines” lawsuit shined a light on a creative technique that has always existed in Hip Hop (and music as a whole). Pharrell Williams has been a master in his musical career of taking the feeling of older pieces of music without electronically sampling them or copying them wholesale. This series will be a celebration of his music and his influences, as well a s either a possible defense, or further indictment, depending on your outlook.
“Its Time for A Bill Russell Statue in Oakland”: We all know Gertrude Stein’s famous Oakland quote, “there’s no there, there.” While that quote is almost always taken out of context, sometimes we try our damnedest to make it true in The Town it would seem. One of the problems is we don’t preserve or create enough landmarks to represent our cities rich history and potentials. In Bill Russell, we have the greatest winning player in NBA history. As such, Mr. Russell is also a symbol of the journey of the black community to Oakland during the second great migration, which provided Oakland with the dynamic Black population that defined the city for half a century. As a great example of sportsmanship, dedication, humanitarianism and achievement, Bill Russell is one of the greatest people to come through the Oakland public school system. Honoring him here would symbolize the achievements of the time period during which Oakland became the most diverse city in America and a city talked about all across the globe.
“Miss Veronica”: a tribute to a dear friend and mentor I lost in 2015.
There is much more in store but that is just a little bit to whet the palette. I’d like to wish my readers much success and happiness in the coming year, thank you for your support and make sure to check in with me in 2016!